Manny P. here…
“`John Coleman and Art Kirsch of Celebrating Act 2 have asked me to chat about film flops, good and bad films that failed to turn a profit. You will be surprised at the list I compiled!
“`Enjoy!
Until next time> “never forget”
Manny P. here…
“`I will be at two book-signing events on Friday in Rolling Hills Estates, CA. It is a chance to spend time with friends of my Forgotten Hollywood franchise that includes an award-winning book series, a podcast on Spotify, an award-winning blog site and a documentary currently in production.
“`I will start my afternoon at The Canterbury, a private assisted-living community. Exchanging fellowship with octogenarians who were fans of Hollywood’s Golden Age is always a blessing. The oral presentation begins at 1:30p. Obviously, this is not a public event.
“`I will then be part of the Lectures with Lianne series held at Fred Hesse Community Park. Below are the complete details and this event begins at 4p. The public is invited to attend. Of course, I will be autographing my Forgotten Hollywood book series at this function.
“`As always, consider this my personal invitation to attend!
Until next time> “never forget”
Manny P. here…
“`Celebrating Act 2, with hosts John Coleman and Art Kirsch, explains why film studios might miscast a movie. It could be that a box-office draw is necessary. Or maybe, they simply have an inferior casting director. Either way, this is an interesting discussion!
“`Enjoy!
Until next time> “never forget”
Manny P. here…
“`The Writers Guild of America and SAG-AFTRA are fighting movie moguls against artificial intelligence as a means to replicate a printed word and likeness for the sake of wider profits and at the expense of its original authors and talent. These same owners repeatedly warn a viewing audience that copying television programs, sporting events, Hollywood specials and other general content appearing on the small screen, dvd’s, or on streamers to your phone would subject you to a fine and potential incarceration. Does this sound like hypocrisy from the suits and their lawyers?
“`Aside from the talked about 2001: A Space Odyssey, classic film and television have had a firm opinion over the idea and use of artifical intelligence in society.
“`The use of electronic computors to aid or replace a work force played for laughs in 1958 in Desk Set, the eighth flick made by Spencer Tracy and Katharine Hepburn (Heburn wins; the computer loses). In an episode of The Twilight Zone, called From Agnes with Love, a wall-sized model becomes jealous of female affection hurled at her programmer, played by Wally Cox. This 1963 episode proves that computers were still imperfect creatures. I mean, Wally Cox… really?
“`Due to a recklessness by humans, computors are set on a path to independently navigate a thermonuclear war in Dr. Strangelove (the Russians with an automated Doomsday Machine) and in War Games, two decades later. In the latter movie, Matthew Broderick uses a game of tic tac toe to teach his computor pal that sometimes, no one wins in a game, especially when atomic bombs are involved.
“`Replicating the likeness of an individual using artificial intelligence was a common theme in The Twilight Zone. Episodes include The Lonely, The After Hours, The Lateness of the Hour, In His Image and Steel. Characters replicated and replaced became the victim. Women were victimized in the Twilight Zone-esque The Stepford Wives. Of course, it was Mary Shelley, who initially pondered an artificially built man and his bride in the nineteenth century. That so-called monster was named Adam, not Frankenstein (the actual name of the doctor).
“`A most salient example of art versus A. I., comes by way of a comedy classic What a Way to Go, and stars Shirley MacLaine, Dick Van Dyke, Robert Mitchum, Gene Kelly, Dean Martin, and Paul Newman. It is Newman, who toys with artificial intelligence to create art, a Faustian bargain to be sure. Kudos to YouTube, I have the evolution of Newman’s demise. By the way, Newman’s character is named Larry Flynt (you cannot make this stuff up). Watch how fast he goes from the penthouse to the outhouse.
“`Click on the link and enjoy! And please, support the original work of writers and actors…
“`Enjoy!
Until next time> “never forget”
Manny P. here…
“`I was a recent guest on Celebrating Act 2 with John Coleman and Art Kirsch and I chatted about the ongoing turmoil at TCM. I was pleased to offer my insight. During the interview, I coincidentally received an email from Charles Tabesh, Senior Vice President of Programming and Content Strategy, and he confirmed that TCM will air An Evening with Robert Youngson, tentatively scheduled on November 5th beginning at 5p (pst) and 8p (est). This news broke on the air, so to speak! It is fun to watch it unfold.
“`Enjoy!
Until next time> “never forget”
Manny P. here…
“`Tony Bennett is considered one of the finest jazz stylists over the last century. Along with Johnny Mathis, his career certainly had longevity. And his favorable comparisons to Sinatra, Torme, Nat Cole and other contemporaries are well deserved.
“`Bennett grew up listening to Al Jolson, Eddie Cantor, Judy Garland and Bing Crosby as well as jazz artists, such as Louis Armstrong and Jack Teagarden. His uncle Dick was a tap dancer in vaudeville. At age ten, Bennett sang at the opening of the Triborough Bridge, standing next to Mayor Fiorello La Guardia. As a teen, he began crooning for money, performing as a singing waiter in a few Italian restaurants around his native Queens. Bennett began winning amateur nights all around the city and enjoyed a successful engagement at a Paramus, New Jersey, nightclub.
“`During World War II, Bennett fought in the Battle of the Bulge and helped liberate a couple of concentration camps. After discharge from the Army in 1946, he enrolled at the American Theatre Wing on the GI Bill. He developed an unusual approach that involved imitating as he sang, the style and phrasing of musicians—such as Stan Getz’s sax and Art Tatum’s piano—helping him to improvise as he interpreted a song.
“`In 1949, Pearl Bailey asked him to open for her in Greenwich Village. She invited Bob Hope to the show. He decided to take Bennett on the road with him. The next year, he cut a demo, Boulevard of Broken Dreams, and was signed to the major label Columbia Records by Mitch Miller. Tony had his first #1 hit record with Because of You. Rags to Riches followed in 1953. He refined his approach to encompass jazz singing. In 1962, Bennett recorded his signature song, I Left My Heart in San Francisco.
“`Bennett hits included The Good Life, When Joanna Loved Me, A Taste of Honey, For Once in My Life, The Shadow of Your Smile and Fly Me to the Moon. After performing live all over the globe, he began recording, once again. His collaborative effort with top singers re-invigorated his career. They include Stevie Wonder, Diana Krall, Billy Joel, Michael Buble, k. d. Lang, Amy Winehouse and most notably, with Lady Gaga. Bennett and Gaga’s Grammy-winning album, Cheek to Cheek, which debuted at #1 on Billboard, earning the Guinness World Records for “oldest person to reach No.1 on the U. S. Album Chart with a newly recorded album”, at the age of eighty-eight years and sixty-nine days.
“`The crooner had a minor film career with appearances in The Oscar, The Scout, Analyze This and Bruce Almighty. Bennett also had tremendous success as a painter. He exhibited his work in numerous galleries around the world. He was chosen as the official artist for the 2001 Kentucky Derby and commissioned by the United Nations, as well. Boy on Sailboat, Sydney Bay is in the permanent collection at the National Arts Club in Gramercy Park, New York, as is his Central Park at the Smithsonian American Art Museum in Washington, D.C.
“`He had zero intention of retiring, referencing Pablo Picasso, Jack Benny and Fred Astaire:
“Right up to the day they died, they were performing… I never sing a song that’s badly written. In the 1920s and 1930s, there was a renaissance in music that was the equivalent of the artistic Renaissance. Cole Porter, Johnny Mercer and others just created the best songs that had ever been written. These are classics, and finally they’re not being treated as light entertainment. This is classical music.”
“`A purveyor of the classics, Tony Bennett (above right) was ninety-six.
Until next time> “never forget”
Manny P. here…
“` PBS SoCal and KCET Southern California’s flagship PBS stations, in partnership with the Newport Beach Film Festival will present the broadcast premiere of the Newport Beach Film Festival UK Honours. The thirty-minute special will premiere locally in Southern California on Wednesday, July 26 at 10p on KCET, with an encore on Thursday, July 27 at 9:30p on PBS SoCal. It will be available on the PBS App and stream at www.pbssocal.org/newportbeach.
“`In addition to six United Kingdom honorees, the Outstanding Achievement in British Cinema Award will be presented. Television interviews include, Nobel Prize winner Kazuo Ishiguro and actors Bill Nighy, Letitia Wright, Taron Egerton, Paul Mescal and Toby Jones. And Variety’s 10 Brits to Watch.
“`For twenty years, the Newport Beach Film Festival has included a dedicated UK showcase during its ten-day program. Starting in 2015, the film festival and Visit Newport Beach has partnered to elevate the connection to the UK industry. The Londoner Hotel provides the backdrop for a celebration of the best of UK and Irish talent in film and television.
Until next time> “never forget”
Manny P. here… 
“`The estate of Stanley Kubrick has given permission to adapt a theatre production of Dr. Strangelove that will premiere in London’s West End in 2024. Kubrick’s widow has confirmed that an updated stage play is in development and it is based on the 1964 political satire film that starred Peter Sellers, George C. Scott, Slim Pickens, Keenan Wynn, and Sterling Hayden. Discarded scenes and drafts of the original motion picture shall be incorporated into the play.
“`Today’s global worries resulting from actions by North Korea and by the Russian attack against the Ukraine makes this a uniquely relevent time to offer this satirical message. According to IndieWire:
“Dr. Strangelove parodies the American military responding to the Soviet Union attacks amid the Cold War, with a nuclear holocaust being unleashed in the process. The film was released in the wake of the Cuban Missile Crisis.”
“`Oscar-nominated filmmaker Armando Iannucci is at the helm of this first-ever adaptation of a Kubrick property; Iannucci well known for political satires. The temperature of theatre-going audiences heading to see Oppenheimer will be measured to guage if this stage play has legs to eventually reach Broadway, since they are related in message. The West End venue has not yet been announced; the show will open in Fall 2024.
Until next time> “never forget”
Manny P. here…
“`Celebrating Act 2 features an engaging discussion about those madcap Warner Brothers cartoons, screened as part of a double feature package of entertainment at your local bijou. Join Art Kirsch, John Coleman and I for this lively chat.
“`Enjoy!
Until next time> “never forget”
Manny P. here…
“`While at this year’s TCM Classic Film Festival, I had the opportunity to meet Charles Tabesh, Senior Vice President of Programming and Content Strategy. He allowed me to plead my case for TCM to showcase a night of Robert Youngson, featuring his silent comedy documentaries and his award-winning Warner Brothers short films.
“`I reminded Tabesh that Youngson was a 1950s preservationist, who introduced silent movies to the baby-boomer generation, while saving nitrate celluloid films from disappearing forever. In essence, he was the Martin Scorsese / Kevin Brownlow of his time. I also mentioned that TCM was the perfect platform to have films such as The Golden Age of Comedy and When Comedy was King highlighted for suggested inclusion to Library of Congress National Film Registry. Forgotten Hollywood is campaigning on behalf of Youngson in conjunction with the International Laurel and Hardy Appreciation Society.
“`After the festival, Tabesh sent me a follow-up e-mail, again expressing interest in the idea. He wanted to make it happen, but could not promise it would come to fruition. Tabesh knew things were brewing at TCM, which might upset all programming for the cable channel. Of course, I was not privy to any of the policy decisions going on at the station.
“`What happened next is right out of a screenplay penned by Donald Ogden Stewart. Tabesh (along with seventy other employees) lost his job at TCM. Fans nationwide mounted a social media campaign to restore TCM. Plus, Scorsese and Steven Spielberg pleaded their case on behalf of Tabesh with David Zaslav, President and Chief Executive Officer at Warner Bros., parent company of TCM. Days later, Tabish was reinstated to the delight of TCM nation.
“`Just yesterday, I received an email from Tabesh confirming that TCM would air an evening with Robert Youngson in November. With the instability Tabesh recently endured, his willingness to share a programming decision of interest with me is truly thoughtful and sincere.
“`I will provide the exact date his films air on TCM as soon as it becomes available. In the meantime, you can vote for FREE on Library of Congress National Film Registry for Robert Youngson’s The Golden Age of Comedy and When Comedy was King by clicking on the link below:
https://www.research.net/r/national-fim-registry-nomination-form
“`A huge heartfelt thanks, Charlie!
Until next time> “never forget”
Manny P. here…
“`Adventure movies of the past are different from our current crop of action films, due to the creation of CGI. John Coleman, Art Kirsch and I offer the comparisons on Celebrating Act 2.
“`Enjoy!
Until next time> “never forget”
Manny P. here… 
“`Alan Arkin was one of the all-time great character actors and his career spanned over seven decades. His body of work included many memorable performances, notably in The Russians are Coming The Russians are Coming, Wait Until Dark, Catch-22, The Heart is a Lonely Hunter, Glengarry Glen Ross, Argo, and his award-winning turn in Little Miss Sunshine. He also was recently fabulous in The Komisky Method, co-starring on the small screen with Michael Douglas.
“`His parents moved to Los Angeles, when Alan was a pre-teen. An eight-month Hollywood strike cost his dad his job as a set designer. During the 1950s Red Scare, his parents were named as Communists. His father was fired when refusing to answer questions about his political ideology. David Arkin challenged the dismissal, but he was vindicated only after his death.
“`Alan Arkin was an early member of the Second City comedy troupe in the 1960s. He starred in 1963 on Broadway in Joseph Stein’s, Enter Laughing. For this performance, Arkin received the Tony Award and a Theatre World Award. Shortly after, Hollywood came calling.
“`Over the years, he bounced back-and-forth between cinema and television. He also found time to direct productions on Broadway, including his award-winning effort of The Sunshine Boys. On television, he appeared on Sesame Street, The Muppet Show, St. Elsewhere, Chicago Hope (with son, Adam) and Will and Grace. His parts on the big screen included Inspector Clouseau, Last of the Red Hot Lovers, Freebie and the Bean, Rafferty and the Gold Dust Twins, Edward Scissorhands, Havana, Grosse Pointe Blank and Going in Style.
“`Upon winning his Oscar for his work in Little Miss Sunshine, Arkin said:
“More than anything, I’m deeply moved by the open-hearted appreciation our small film has received, which in these fragmented times speaks so openly of the possibility of innocence, growth and connection.”
“`Alan Arkin was eighty-nine.
Until next time> “never forget”
Manny P. here…
“`The 1950s were a tumultuous time in media. Movie studios and television were at odds and it did not look good for the small screen. John Coleman, Art Kirsch and I offer the reasons why television found a way to success… Baseball… Politics… International news… and I Love Lucy. All on Celebrating Act 2.
“`Enjoy!
Until next time> “never forget”
Manny P. here… 
“`Like all science fiction classics of the 1950s, mad scientists are tinkering with our cable box in some sort of mind-control game, leaving a metaphoric nuclear waste in its wake. The monsters emerge promising a bright future. The ending credits appear and so does a huge question mark. When the curtain drops, the audience is uneasy about a sequel.
“`It starts innocently enough. Like Klaatu, the fictional humanoid alien in The Day the Earth Stood Still, David Zazlav (head of WB Discovery) promises sunshine, lollipops and rainbows from the parent company. But, an influx of dramatic prose is needed to justify an unsettling sixty-minute production. In this screenplay, it starts with the loss of extras dressed as talking heads and corporate hacks at CNN. Like actors in red uniforms at the start of each Star Trek episode, they are vaporized in some ghoulish way… And then, the opening credits: “Space, the final frontier…”
“`Meanwhile, back at TCM, folks notice changes as people and programs start to disappear. A Friday-evening underground show vanishes without a trace; their host squirted from the earth like a watermelon seed. Dispatched characters from the margins of society eerily resemble an old man who first discovers the Blob, a trailer park family invaded by Them!, or a gentle sailor attacked by Killer Shrews. One of the stars has his popular show repeatedly pre-empted, the villain hoping the citizenry will not notice the interruption of Eddie Muller’s film noir Saturdays. But, they do notice!
“`A mushroom-like crowd hovers over this years film festival, but its patrons are assured that all is well in their community. Yet, every fan suddenly feels like they may be part of recipes in an upcoming TCM cookbook (as part of a Wine-Club promotion). It really does not matter that annual get-togethers have risen in astronomic popularity, despite the pandemic (which may or may not have set off this corporate sickness about to envelop the global hamlet).
“`And then it happens on a bright June day, havoc ensues! The team, who has cultivated and curated a co-mingling of film stars and fans to ensure an incredible loyal base of viewers, are dispatched. Programmers, coordinators, media intermediaries and others, disemboweled; and a stunned fan-base suddenly has a zombified look resembling the Children of the Damned. Someone has to assume the roles formerly played by Richard Carleson and Richard Denning. Dave Karger and Eddie Muller express absolute disgust over the tragic decision. The citizenry take to social media and writing letters to the editor to protest.
“`As in most of science fiction classic of the day, familiar faces emerge in cameos. In Them!, classic moments from Fess Parker, Leonard Nimoy, and William Schallert. In our melodrama, Steven Spielberg, Martin Scorsese, Ryan Reynolds and Paul Thomas Anderson present a case to the villain and emerge like former British Minister Neville Chamberlain with declarations of “peace for our time.” All while Sudetenland of former Czechoslovakia is annexed by Germany. Put another way… Rome is burning and Zazlav is fiddling; a fiend with a face!
“`There is the obligatory catyclismic global implications (presented before the flick’s ultimate conclusion), with stock footage from the inner sanctum of RKOs film library, including floods and volcanic eruptions. In this production, newspaper headlines spell out the demise of TCM-Movies UK. Its last day to air is on July 6th. And WB Discovery is reportedly looking to sell off half of its film and television music catalog. As Allen Ludden use to say on a popular game show: The password is… LIQUIDATION!
“`Our initial glimps of the so-called new and improved TCM (besides upcoming programming) will be during this Fall’s TCM Classic Cruise. It might be a prudent idea for Chairman Zavlav to avoid being on the passanger list. In the meantime, let me offer best wishes to Charlie Tabesh, Pola Changnon and the rest of our comrades who have fallen. They are off to opportunities of merit, one hopes. This story is not done. Cue the end credits and requisite question marks. ???
Until next time> “never forget”
Manny P. here…
“`Glenda Jackson CBE was an two-time Oscar-winning British actress and politician. She was appointed CBE by Queen Elizabeth II in 1978. Jackson temporarily retired from acting in 1991 in order to devote her efforts to politics full-time as the prospective parliamentary candidate for Hampstead and Highgate. After her quarter of a century absence from performing, she returned to Broadway. GLENDA JACKSON –>
“`After winning a scholarship, Jackson studied at Royal Academy of Dramatic Art in 1954. Despite unsuccessfully earning a spot for the Royal Shakespeare Company, she made her cinematic debut in This Sporting Life The theatre group eventually reconsidered and invited her to become a member.
“`Her sublime effort in Ken Russell’s motion picture adaptation of D. H. Lawrence’s Women in Love led to her first Academy Award for Best Actress. She followed with a second Oscar a few years later for her performance in A Touch of Class. Her career included memorable roles in Sunday Bloody Sunday, Mary Queen of Scots, House Calls, Hedda and Hopscotch.
“`In memory of her passing, the BBC broadcast This Cultural Life, her interview with John Wilson first shown in October, 2022. It was followed by her Emmy-winning turn in the 2019 drama Elizabeth is Missing.
“`Glenda Jackson was eighty-seven.
Until next time> “never forget”
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